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<channel>
	<title>Joseph</title>
	<link>https://josephbaan.com</link>
	<description>Joseph</description>
	<pubDate>Tue, 27 Aug 2024 15:26:03 +0000</pubDate>
	<generator>https://josephbaan.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Main page</title>
				
		<link>https://josephbaan.com/Main-page</link>

		<pubDate>Sat, 12 Mar 2022 22:57:32 +0000</pubDate>

		<dc:creator>Joseph</dc:creator>

		<guid isPermaLink="true">https://josephbaan.com/Main-page</guid>

		<description>

&#60;img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/455a33a0522b373be10dc3f3bce52f7fda6dd527b65ca64db3113181d77e013c/HH_Kunststipendien_2024_104_zte.jpg" data-mid="217040422" border="0"  src="https://freight.cargo.site/w/1000/i/455a33a0522b373be10dc3f3bce52f7fda6dd527b65ca64db3113181d77e013c/HH_Kunststipendien_2024_104_zte.jpg" /&#62;

&#60;img width="2126" height="1417" width_o="2126" height_o="1417" data-src="https://freight.cargo.site/t/original/i/3b4516e63fe482ba0040f67ea7fa841eb6bad3380825b39bfec979ac1ff3b4ba/Baan_Haefliger_BlOWn_2023_SPAA23_Karin_Salathe_3.jpg" data-mid="197187627" border="0" data-scale="100" alt="Bl0Wn" data-caption="Bl0Wn" src="https://freight.cargo.site/w/1000/i/3b4516e63fe482ba0040f67ea7fa841eb6bad3380825b39bfec979ac1ff3b4ba/Baan_Haefliger_BlOWn_2023_SPAA23_Karin_Salathe_3.jpg" /&#62;

&#60;img width="1680" height="1120" width_o="1680" height_o="1120" data-src="https://freight.cargo.site/t/original/i/2c96044b0b306e6ab6771c3d20faf2057e2740b9c0ba8359735b389a6dce0d29/SHOWOFFJOSPEH_-260.jpg" data-mid="173916523" border="0" alt="Bl0Wn" data-caption="Bl0Wn" src="https://freight.cargo.site/w/1000/i/2c96044b0b306e6ab6771c3d20faf2057e2740b9c0ba8359735b389a6dce0d29/SHOWOFFJOSPEH_-260.jpg" /&#62;

&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/05c7dc307038bf792e6478121db55598062663d3b154944b9e2c6825b86d0e93/DSC01594.jpeg" data-mid="197191347" border="0"  src="https://freight.cargo.site/w/1000/i/05c7dc307038bf792e6478121db55598062663d3b154944b9e2c6825b86d0e93/DSC01594.jpeg" /&#62;

&#60;img width="1318" height="1600" width_o="1318" height_o="1600" data-src="https://freight.cargo.site/t/original/i/35694a01d7faf05e1975b15be416e64e92a644e7062246a85b23ea9cc74c2629/IMG_6308.JPG" data-mid="136120450" border="0" alt="AMNESIA ARCHIVE [performance]" data-caption="AMNESIA ARCHIVE [performance]" src="https://freight.cargo.site/w/1000/i/35694a01d7faf05e1975b15be416e64e92a644e7062246a85b23ea9cc74c2629/IMG_6308.JPG" /&#62;

&#60;img width="2415" height="3619" width_o="2415" height_o="3619" data-src="https://freight.cargo.site/t/original/i/b32b1672fbf831d486db8f6d2f1317b732a179780a7350eea689c0e79a7bee57/2021_09_26_HausKonstruktiv_AmnesiaArchive_JosephineBaan_MIK7683.jpg" data-mid="136159877" border="0" alt="AMNESIA ARCHIVE [installation]" data-caption="AMNESIA ARCHIVE [installation]" src="https://freight.cargo.site/w/1000/i/b32b1672fbf831d486db8f6d2f1317b732a179780a7350eea689c0e79a7bee57/2021_09_26_HausKonstruktiv_AmnesiaArchive_JosephineBaan_MIK7683.jpg" /&#62;

&#60;img width="3000" height="2645" width_o="3000" height_o="2645" data-src="https://freight.cargo.site/t/original/i/0c135eb0086c3e31c56f13c50124704d7d434492cc79a3d2d770ed95e9c76625/386A8698.jpg" data-mid="136117416" border="0" alt="WEATHERING" data-caption="WEATHERING" src="https://freight.cargo.site/w/1000/i/0c135eb0086c3e31c56f13c50124704d7d434492cc79a3d2d770ed95e9c76625/386A8698.jpg" /&#62;

&#60;img width="1600" height="1060" width_o="1600" height_o="1060" data-src="https://freight.cargo.site/t/original/i/eeba5dfe0b2d1e16da55696e65fc09df6b7b44ff60c663b5186103a6a5f7657e/a889bb6e-8b61-4559-a951-199fb314d2b5.JPG" data-mid="136306104" border="0" alt="VOTIVE [in passing]" data-caption="VOTIVE [in passing]" src="https://freight.cargo.site/w/1000/i/eeba5dfe0b2d1e16da55696e65fc09df6b7b44ff60c663b5186103a6a5f7657e/a889bb6e-8b61-4559-a951-199fb314d2b5.JPG" /&#62;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1c91246c3be1aee4d6b560356420e72b4b841d1cfa283daacee786564b157a9a/P1099213.00_05_07_17.Standbild220.jpg" data-mid="136120985" border="0" alt="VERSED IN THE VOID [the hole, the pool &#38;amp; the cracker]" data-caption="VERSED IN THE VOID [the hole, the pool &#38;amp; the cracker]" src="https://freight.cargo.site/w/1000/i/1c91246c3be1aee4d6b560356420e72b4b841d1cfa283daacee786564b157a9a/P1099213.00_05_07_17.Standbild220.jpg" /&#62;

&#60;img width="3024" height="3794" width_o="3024" height_o="3794" data-src="https://freight.cargo.site/t/original/i/cf997a8bfbbcc99794848f507dae311880c5909c15ff65a604eafb11a553fc3e/IMG_1828.jpg" data-mid="136157770" border="0" alt="Versed in the Void [morsels]" data-caption="Versed in the Void [morsels]" src="https://freight.cargo.site/w/1000/i/cf997a8bfbbcc99794848f507dae311880c5909c15ff65a604eafb11a553fc3e/IMG_1828.jpg" /&#62;

&#60;img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/99f397a4455dc505dd69648175686e1c2394d4616bc05a822b88f0bd0b6bfd51/FSRR19-NottiMagiche-029-copia.jpg" data-mid="136158123" border="0" alt="Versed in the Void" data-caption="Versed in the Void" src="https://freight.cargo.site/w/1000/i/99f397a4455dc505dd69648175686e1c2394d4616bc05a822b88f0bd0b6bfd51/FSRR19-NottiMagiche-029-copia.jpg" /&#62;

&#60;img width="1474" height="2208" width_o="1474" height_o="2208" data-src="https://freight.cargo.site/t/original/i/26e764c3f6c45cde9349b6f6ff458d150dc46bdb211360040ee56c7ba16655cd/2019_09_01_KKLB_Josie__MIK3350.jpg" data-mid="136157216" border="0" alt="MOTH: An Exit Wound" data-caption="MOTH: An Exit Wound" src="https://freight.cargo.site/w/1000/i/26e764c3f6c45cde9349b6f6ff458d150dc46bdb211360040ee56c7ba16655cd/2019_09_01_KKLB_Josie__MIK3350.jpg" /&#62;

&#60;img width="5000" height="7491" width_o="5000" height_o="7491" data-src="https://freight.cargo.site/t/original/i/07b949195d6f36568f29ee12d2d07da6da6af82bc323d6ebcaba777ad7cf91b0/2019_05_05_KKLB_Josie__MIK9429_o.jpeg" data-mid="136158334" border="0" alt="MOTH: The Big Chew" data-caption="MOTH: The Big Chew" src="https://freight.cargo.site/w/1000/i/07b949195d6f36568f29ee12d2d07da6da6af82bc323d6ebcaba777ad7cf91b0/2019_05_05_KKLB_Josie__MIK9429_o.jpeg" /&#62;

&#60;img width="5000" height="3750" width_o="5000" height_o="3750" data-src="https://freight.cargo.site/t/original/i/59d8d88295e1c38cee2d87a06e74970f491b0176d43871ad4632d82ca51067b6/P1033148_o.jpeg" data-mid="136158514" border="0" alt="MOTH: The Slumber" data-caption="MOTH: The Slumber" src="https://freight.cargo.site/w/1000/i/59d8d88295e1c38cee2d87a06e74970f491b0176d43871ad4632d82ca51067b6/P1033148_o.jpeg" /&#62;

&#60;img width="1536" height="2302" width_o="1536" height_o="2302" data-src="https://freight.cargo.site/t/original/i/6808f986d91c4a7170180b78f73dbd68545eb258376c951092bd76f792722a3b/9A9DCA78-EC9E-432C-962C-1B1AF0D20C56.jpeg" data-mid="136160391" border="0" alt="MOTH: The Fall" data-caption="MOTH: The Fall" src="https://freight.cargo.site/w/1000/i/6808f986d91c4a7170180b78f73dbd68545eb258376c951092bd76f792722a3b/9A9DCA78-EC9E-432C-962C-1B1AF0D20C56.jpeg" /&#62;

&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/1e99d1de11276c1bcd74ffc0b9ccf6dbe119d9578a80051080e8647dcc086507/2018_10_07_KKLB_josie_MIK8387.jpg" data-mid="136160789" border="0" alt="MOTH" data-caption="MOTH" src="https://freight.cargo.site/w/1000/i/1e99d1de11276c1bcd74ffc0b9ccf6dbe119d9578a80051080e8647dcc086507/2018_10_07_KKLB_josie_MIK8387.jpg" /&#62;

&#60;img width="5000" height="3332" width_o="5000" height_o="3332" data-src="https://freight.cargo.site/t/original/i/f191dfb86ffa171d81f891401e6397a02b5b438089c7b7178e9376f50f27ec8f/IMG_8757_o.JPG" data-mid="136162279" border="0" alt="COMPOSITION VARIATIONS" data-caption="COMPOSITION VARIATIONS" src="https://freight.cargo.site/w/1000/i/f191dfb86ffa171d81f891401e6397a02b5b438089c7b7178e9376f50f27ec8f/IMG_8757_o.JPG" /&#62;

&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/8796ff01c3b891a859f5b83b478eb0edadea41adafedf1d3c5a2a975de548653/LJS_201802171_o.jpeg" data-mid="136160459" border="0" alt="A BRIEF HISTORY OF BECOMING ROCK" data-caption="A BRIEF HISTORY OF BECOMING ROCK" src="https://freight.cargo.site/w/1000/i/8796ff01c3b891a859f5b83b478eb0edadea41adafedf1d3c5a2a975de548653/LJS_201802171_o.jpeg" /&#62;


&#60;img width="4352" height="2904" width_o="4352" height_o="2904" data-src="https://freight.cargo.site/t/original/i/fe268bfba070734cefb0680416db7121d3815551c4300aa7a233f6b4d9fbc874/11.-IMG_2207.jpg" data-mid="136162037" border="0" alt="BORDERWALK" data-caption="BORDERWALK" src="https://freight.cargo.site/w/1000/i/fe268bfba070734cefb0680416db7121d3815551c4300aa7a233f6b4d9fbc874/11.-IMG_2207.jpg" /&#62;

&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/8425e64b8f2d61c3d152a238d343806145735cfa34b7e7f8fbee8228adae8cc8/IMG_8652_o.jpg" data-mid="136168689" border="0" alt="THE BENEFITS OF LIVING IN A RESTAURANT" data-caption="THE BENEFITS OF LIVING IN A RESTAURANT" src="https://freight.cargo.site/w/1000/i/8425e64b8f2d61c3d152a238d343806145735cfa34b7e7f8fbee8228adae8cc8/IMG_8652_o.jpg" /&#62;

&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/31753a317292987bb531dfd581b435134353ce9115e1000b90359086a363a93d/josephine_baan_alkovi02_o.jpg" data-mid="136168838" border="0" alt="NOTHING 2C HERE" data-caption="NOTHING 2C HERE" src="https://freight.cargo.site/w/1000/i/31753a317292987bb531dfd581b435134353ce9115e1000b90359086a363a93d/josephine_baan_alkovi02_o.jpg" /&#62;

&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/c609641a6a022cfb9926cc99d8b93207d805715b56a3664449433376c95bb54e/IMG_8402_o.jpg" data-mid="136161980" border="0" alt="DIALOGUE PIECE" data-caption="DIALOGUE PIECE" src="https://freight.cargo.site/w/1000/i/c609641a6a022cfb9926cc99d8b93207d805715b56a3664449433376c95bb54e/IMG_8402_o.jpg" /&#62;

&#60;img width="1250" height="672" width_o="1250" height_o="672" data-src="https://freight.cargo.site/t/original/i/09030591208a844d5bbcefe20516f56d22400e3104837cdadae051e1a2df1014/Schermafbeelding-2015-07-27-om-21.26.41.png" data-mid="136169010" border="0" alt="THE REVOLUTION WILL COME FROM BELOW" data-caption="THE REVOLUTION WILL COME FROM BELOW" src="https://freight.cargo.site/w/1000/i/09030591208a844d5bbcefe20516f56d22400e3104837cdadae051e1a2df1014/Schermafbeelding-2015-07-27-om-21.26.41.png" /&#62;


&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/3a672cb7d5ff9dc99de16826f7d4e80fe6ee3cc85736fb80abe47c4220fee309/IMG_3092_o.jpg" data-mid="136169796" border="0" alt="SENTENCE A DIE / SENTENCE A LIFE" data-caption="SENTENCE A DIE / SENTENCE A LIFE" src="https://freight.cargo.site/w/1000/i/3a672cb7d5ff9dc99de16826f7d4e80fe6ee3cc85736fb80abe47c4220fee309/IMG_3092_o.jpg" /&#62;

&#60;img width="1440" height="900" width_o="1440" height_o="900" data-src="https://freight.cargo.site/t/original/i/a24ee91cf0223ee5cd762d0b118ecb72daf7d438af39edffe30d7ded112ec313/Een-Echte-Baan1.jpg" data-mid="136169048" border="0" alt="EEN ECHTE BAAN" data-caption="EEN ECHTE BAAN" src="https://freight.cargo.site/w/1000/i/a24ee91cf0223ee5cd762d0b118ecb72daf7d438af39edffe30d7ded112ec313/Een-Echte-Baan1.jpg" /&#62;



</description>
		
	</item>
		
		
	<item>
		<title>Information</title>
				
		<link>https://josephbaan.com/Information</link>

		<pubDate>Sat, 12 Mar 2022 22:57:32 +0000</pubDate>

		<dc:creator>Joseph</dc:creator>

		<guid isPermaLink="true">https://josephbaan.com/Information</guid>

		<description>&#60;img width="2924" height="3855" width_o="2924" height_o="3855" data-src="https://freight.cargo.site/t/original/i/b2b5601e88086e836f7566954b06cb555daddf8d935b8ca46529012be2788d97/Josephine-Baan-Luc-Hafliger-B10wn-35.jpg" data-mid="218392289" border="0"  src="https://freight.cargo.site/w/1000/i/b2b5601e88086e836f7566954b06cb555daddf8d935b8ca46529012be2788d97/Josephine-Baan-Luc-Hafliger-B10wn-35.jpg" /&#62;


	
	IMAGE BY MARC JAUSS



Joseph Baan is an artist, researcher, and educator. Their practice engages in art, education and collaboration as ways to forge creative survival. They’re interested in the complexity of collectivity and in the possibility of establishing a solidarity that does not homogenise, but affirms difference.

They make performances, installations, texts, group works, collaborative formats, and scores that aim to unpack the problem of relating. They see performance as a way to become receptive to one’s own alterity when relating to others, offering the possibility to have embodied experiences that one does not identify with. Joseph is currently engaged in a PhD research at the Zürich University of the Arts and Mozarteum in Salzburg that investigates the political currency of incoherence and performative strategies of ambiguity, illegibility, and non-performance, asking what aspects of performance might angle towards liberatory or non-sovereign politics and possibly negotiate or abolish the constraints one is born into.&#38;nbsp; 

Joseph’s practice is closely linked to their work as an educator, which is influenced by experimental and radical pedagogies and non-hierarchical collaborative methods. They are a founding member of Rotterdam-based research group SOHERE; a community of practitioners working in the fields of art, design and science who develop collaborative, horizontal learning environments. From 2019-2022 they co-ran Zurich based School of Commons; a grassroots initiative dedicated to the study and development of decentered knowledge, with a focus on practices of peer learning and commoning. They teach critical theory and performance at the&#38;nbsp;Chair of the History of Art and Architecture at the ETH in Zurich.&#38;nbsp;
contact: josephbaanproduction@gmail.com


	
	
	
	
</description>
		
	</item>
		
		
	<item>
		<title>Educational Work</title>
				
		<link>https://josephbaan.com/Educational-Work</link>

		<pubDate>Sat, 12 Mar 2022 22:57:32 +0000</pubDate>

		<dc:creator>Joseph</dc:creator>

		<guid isPermaLink="true">https://josephbaan.com/Educational-Work</guid>

		<description>EXPERIMENTAL PEDAGOGY

Since 2016, I have consistently worked—usually collaboratively—on developing spaces that allow for different forms of collective learning, and that transform the ways in which to view knowledge production, educational hierarchies, and learning practices in general. Encompassing a broad range of educational activities, I have taught in both academic and non-academic environments, and worked together with children, students, scientists, artists, performers, and others. 

I am especially dedicated to creating safer, more inclusive, and more accessible environments for learning. I have hosted performance workshops, designed environments and frameworks for collective learning and community building, and offered training in gender inclusivity. I often work with movement practices and body-based exercises, as well as scores, writing exercises, games, and collaborative processes. I am currently engaged in a PhD research that brings together embodied learning and experimental pedagogy. The&#38;nbsp;research investigates the political currency of incoherence and performative strategies of ambiguity, dissociation, and conflict, asking what aspects of performance might angle towards liberation or a negotiation of the constraints that one is born into.&#38;nbsp; 
Below are listed some of the projects and initiatives I have been (or still am) a part of.




&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/85f85dbd7565c40d75704e9ddcfb32545bc282580e77fdaa51f390d0a586497a/IMG_2298.jpg" data-mid="136252658" border="0" alt="TENDERFEET" data-caption="TENDERFEET" src="https://freight.cargo.site/w/1000/i/85f85dbd7565c40d75704e9ddcfb32545bc282580e77fdaa51f390d0a586497a/IMG_2298.jpg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/af6a353932502732cfb67d01f8c21f93ea0baec632b2e349c5f0aa11573a2409/Echo-Club-POST.jpg" data-mid="218391975" border="0" alt="ECHO CLUB" data-caption="ECHO CLUB" src="https://freight.cargo.site/w/1000/i/af6a353932502732cfb67d01f8c21f93ea0baec632b2e349c5f0aa11573a2409/Echo-Club-POST.jpg" /&#62;
&#60;img width="830" height="1024" width_o="830" height_o="1024" data-src="https://freight.cargo.site/t/original/i/de5f4ffb5d9c7f40cb2afbc19541fe678d4a3c89ddb7ca18f4b1a0fe60e72d54/IMG_1915-830x1024.jpg" data-mid="136252288" border="0" alt="SOHERE" data-caption="SOHERE" src="https://freight.cargo.site/w/830/i/de5f4ffb5d9c7f40cb2afbc19541fe678d4a3c89ddb7ca18f4b1a0fe60e72d54/IMG_1915-830x1024.jpg" /&#62;
&#60;img width="7016" height="9921" width_o="7016" height_o="9921" data-src="https://freight.cargo.site/t/original/i/ec52f5ed09a2459681b4f304e17d952c0d916002a7211b628f0f235bd8fa55c9/Poster-Klima1.jpg" data-mid="165137468" border="0" alt="The School for Collective Embodied Inquiry" data-caption="The School for Collective Embodied Inquiry" src="https://freight.cargo.site/w/1000/i/ec52f5ed09a2459681b4f304e17d952c0d916002a7211b628f0f235bd8fa55c9/Poster-Klima1.jpg" /&#62;
&#60;img width="1333" height="1885" width_o="1333" height_o="1885" data-src="https://freight.cargo.site/t/original/i/37602f6b58c328df2d09964e3779ec665652380bf670c1a2b7f51570e757f3a2/PRINTED-FLYER_Millten_finalversion.jpg" data-mid="136253722" border="0" alt="PERFORMANCE WORKSHOPS" data-caption="PERFORMANCE WORKSHOPS" src="https://freight.cargo.site/w/1000/i/37602f6b58c328df2d09964e3779ec665652380bf670c1a2b7f51570e757f3a2/PRINTED-FLYER_Millten_finalversion.jpg" /&#62;
&#60;img width="841" height="595" width_o="841" height_o="595" data-src="https://freight.cargo.site/t/original/i/571a0f778b3de88b01b48f87cdaab11a373895614230e72d3bc55c4ddf96fbad/Portfolio-dragged-copy-2.jpg" data-mid="136251923" border="0" alt="SCHOOL OF COMMONS" data-caption="SCHOOL OF COMMONS" src="https://freight.cargo.site/w/841/i/571a0f778b3de88b01b48f87cdaab11a373895614230e72d3bc55c4ddf96fbad/Portfolio-dragged-copy-2.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>prologue: Structures of Unfeeling</title>
				
		<link>https://josephbaan.com/prologue-Structures-of-Unfeeling</link>

		<pubDate>Tue, 27 Aug 2024 15:26:03 +0000</pubDate>

		<dc:creator>Joseph</dc:creator>

		<guid isPermaLink="true">https://josephbaan.com/prologue-Structures-of-Unfeeling</guid>

		<description>2024

prologue [structures of unfeeling]

July 12 - September 15 2024 at Helmhaus Zürich
awarded the City of Zürich Art Grantinstallation and three-channel sound piece
sound by Luc Häflingerlisten to a stereo version of the sound HERE
prologue [structures of unfeeling] is a performative installation that aims to find expression for unfeeling and affective incoherence, thereby questioning the legibility of affect itself. In Lauren Berlant’s text, Structures of Unfeeling: Mysterious Skin, Berlant reflects upon the relationship between trauma and underperforming, framing unfeeling as a plausible response to sexual violence, especially in the context of a society that is unlikely to acknowledge the assault or pursue the perpetrator(s). Unfeeling here is not only a response to the violent event itself, but also a way to cope with a world that does not offer support, recognition, or repair in order to deal with that event. More broadly, Berlant coined the term “politicized dissociation”: “…which describes the subject’s exit from prescribed ways to feel about the world, while not knowing how to feel otherwise, yet. This cannot be treated as an individual disorder but has to be acknowledged as a consequence of capitalism and the material affective necessities which are part of life in a wrong world.”

Following unfeeling as an aesthetic language to engage with experiences of sexualised violence,&#38;nbsp;prologue [structures of unfeeling] proposes reticent or recessive performative modes as a means to stage crisis, effective precisely in their illegible or inevident forms. The installation forecloses a coherent relation between reality and the affective response to reality, thereby offering instead the unexpected spaciousness of affective disengagement. Through the use of colour-negating light from sodium vapour lamps, an extension of the space through a mirrored floor, aluminium sculptures engraved with victim-survivor accounts that have been revised to their grammatical denominations, and accompanied by a sound installation, the work attempts to create a space of “flat affect”; a space in which affective incoherence, lowered intensity, and a decrease of legibility aims to offer escape routes from normative ways to feel about the world.This work is the prologue to the upcoming exhibition and events programme titled Structures of Unfeeling, which will take place in BINZ39 and Tanzhaus in October 2024. Initiated by SOHERE (Joseph Baan, wolf engelen, and Vanessa Jane Phaff),&#38;nbsp;Structures of Unfeeling is a performative learning environment that intends to use the exhibition format for the formation of a public culture around sexual trauma. Bringing together a diverse group of practitioners from the fields of contemporary art, education, music, performance, dramaturgy, and academia, many of whom have been subjected to sexualised violence or childhood sexual abuse, Structures of Unfeeling aims to collaboratively find form and voice for the generally unspeakable and unrepresentable nature of trauma.


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	<item>
		<title>Bl0Wn</title>
				
		<link>https://josephbaan.com/Bl0Wn</link>

		<pubDate>Fri, 17 Nov 2023 14:31:12 +0000</pubDate>

		<dc:creator>Joseph</dc:creator>

		<guid isPermaLink="true">https://josephbaan.com/Bl0Wn</guid>

		<description>2023

Bl0Wn

Performances: Swiss Performance Art Awards, Kunsthalle Baselland, Basel, 2023 (winner audience award)
Drifts Festival, Helsinki, 2023 
Perrrformat, Zürich, 2023 
Time Crystals, Amsterdam, 2025
Read about the work in an experience report written by Nils Amadeus Lange
Read about the work in an interview for Akut Magazine by Joshua Amissah (German)
Bl0Wn investigates the liberatory potential of performance by wielding a politics and practice of illegibility and incoherence. Social and state grammars generally aim to categorise, organise, and quantify individuals in ways that makes them appear on its grid, at which point individuals are forced or coerced to operate by its logics . To appear as illegible, unrecognisable, or incoherent signals a refusal of and potential escape from these grammars and their logics. Departing from the prism of “training one’s own incoherence”&#38;nbsp; as a methodology, Bl0Wn considers how becoming unrecognisable might offer the possibility of liberation from identitarian markers. By harnessing unrecognizability, illegibility, and incoherence as strategies to question and potentially abolish the constraints one is borne into, the piece aims to interrogate and negotiate the limits of our given realities.

Concept, direction, choreography: Joseph Baan
Performance: Joseph Baan, Luc HäfligerSound design &#38;amp; composition: Luc Häfliger Dramaturgical support: Joshua WickePhotos by Karin Salathé, Aala Nyman, Marc Jauss
Video: Jumana Issa for Perrrformat


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</description>
		
	</item>
		
		
	<item>
		<title>Bl0Wn</title>
				
		<link>https://josephbaan.com/Bl0Wn-1</link>

		<pubDate>Sat, 01 Apr 2023 17:10:24 +0000</pubDate>

		<dc:creator>Joseph</dc:creator>

		<guid isPermaLink="true">https://josephbaan.com/Bl0Wn-1</guid>

		<description>2023

Bl0Wn

Performance (1st iteration) at Tanzhaus, 2023Concept, direction, choreography: Joseph Baan
Performance: Joseph Baan, Luc Häfliger
Sound and music: Luc Häfliger 
Dramaturgical support: Romain Guion
Photos by Sara Merz

Bl0Wn is a performance and research project in which I investigate the liberatory potential of performative practices and propose performance as a means to—individually and collectively—interrogate and negotiate the constraints that one is borne into.&#38;nbsp;Departing from the prism of “becoming unrecognisable” as a methodology (or what Marquis Bey calls “(un)gendering”), Bl0Wn considers how becoming unrecognisable might offer the possibility of liberation from identitarian markers. By harnessing unrecognizability, illegibility, and incoherence as strategies to question and potentially abolish the constraints one is borne into (i.e. social &#38;amp; economic mobility, categories of citizenship &#38;amp; identity), the piece aims to interrogate and negotiate the limits of our given realities. The work directs the gaze of the audience by agentively choosing what to reveal and what to hide; through light and darkness, sound and noise, forms and textures, as well as performativity and the refusal to perform. Bl0Wn invites the unruliness of the body as a space for change; the performers change shape and affect throughout the work, attempting to undermine the constraints of identity and to play with the expectations and projections that bodies under scrutiny incite.



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	<item>
		<title>Fugue State</title>
				
		<link>https://josephbaan.com/Fugue-State</link>

		<pubDate>Fri, 17 Nov 2023 18:58:53 +0000</pubDate>

		<dc:creator>Joseph</dc:creator>

		<guid isPermaLink="true">https://josephbaan.com/Fugue-State</guid>

		<description>2022

FUGUE STATE

“Part of the reason I think that queer theory and love theory are related to each other as political idioms, is that queer theory presumes the affective incoherence of the subject with respect to the objects that anchor it or to which they’re attached. One thing that is very powerful for me to try and think about is how we could have a political pedagogy that deals with incoherence. Where the taking up of a position won’t be so that an individual can be coherent, intentional, agentive, and encounter themselves through their object, but that there would be a way that situational clarity can be produced without negating the incoherence of the subject. Training in one’s own incoherence, training in the ways in which one’s complexity and contradiction can never be resolved by the political, is a really important part of a political theory of non-sovereignty.”
Fugue State researches what a practice of ‘training one’s own incoherence’ could look like, and what the political currency of incoherence and illegibility within a performance practice could be. Based on Lauren Berlant’s suggestion to “train one’s own incoherence”[1], this work investigates&#38;nbsp;incoherence as a method to be harnessed in order to foster political non-sovereignty. The following images were taken during rehearsals by Nils Amadeus Lange and are part of a work-in-progress for a piece that will premiere in 2025, co-produced by Tanzhaus, Zurich. The rehearsals were conducted in collaboration with Teo Ala-Ruona, Emmel Chemounay, Nils Amadeus Lange and Luc Häfliger.

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[1]&#38;nbsp;&#38;nbsp;Lauren Berlant, “On the Risk of a New Relationality”: An Interview with Lauren Berlant and Michael Hardt. Reviews in Cultural Theory, Issue 2.3, 2008</description>
		
	</item>
		
		
	<item>
		<title>SOHERE</title>
				
		<link>https://josephbaan.com/SOHERE</link>

		<pubDate>Thu, 31 Mar 2022 10:31:53 +0000</pubDate>

		<dc:creator>Joseph</dc:creator>

		<guid isPermaLink="true">https://josephbaan.com/SOHERE</guid>

		<description>2016 - present

SOHERE

I am a founding member of Rotterdam based collective SOHERE, initiated by wolf engelen. SOHERE is a an organic research group working in the fields of art, design, and science, who collaborate on designing encounters. Stemming from a belief in the possibility of creating collaborative, non-hierarchical learning environments, SOHERE aims to contribute to educational discourse as well as educational praxis. more information about SOHERE at TENT Rotterdam
read a recent interview with SOHERE (NL)

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	<item>
		<title>Time to perform</title>
				
		<link>https://josephbaan.com/Time-to-perform</link>

		<pubDate>Thu, 31 Mar 2022 10:43:14 +0000</pubDate>

		<dc:creator>Joseph</dc:creator>

		<guid isPermaLink="true">https://josephbaan.com/Time-to-perform</guid>

		<description>2018

TIME TO PERFORM
In 2018, I was approached by Root Gallery in Rotterdam to develop a series of performance workshops for artists who had little or no experience with performance. For several weeks, I worked with a group of six artists alongside Donald Schenkel and Sophie de Vos. The results of the workshops were shared in a public performance at Root Gallery.



&#60;img width="1500" height="2122" width_o="1500" height_o="2122" data-src="https://freight.cargo.site/t/original/i/04fd4737224360a8acfb90e306b2553d30e60b38ceb39a409f964776351495ea/Time-to-perform-Flyer.jpg" data-mid="138156754" border="0"  src="https://freight.cargo.site/w/1000/i/04fd4737224360a8acfb90e306b2553d30e60b38ceb39a409f964776351495ea/Time-to-perform-Flyer.jpg" /&#62;
</description>
		
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	<item>
		<title>TENDERFEET</title>
				
		<link>https://josephbaan.com/TENDERFEET</link>

		<pubDate>Thu, 31 Mar 2022 10:27:17 +0000</pubDate>

		<dc:creator>Joseph</dc:creator>

		<guid isPermaLink="true">https://josephbaan.com/TENDERFEET</guid>

		<description>2019

TENDERFEET

In collaboration with Wolf Engelen, I worked together&#38;nbsp;with a group of graduation-year Willem de Kooning Academy&#38;nbsp;students for an exhibition at the European Cultural Center in Venice, taking place during the Venice Biennale 2019. Over&#38;nbsp;the course of 6 months, we developed a nonhierarchical,&#38;nbsp;process-based series of performances&#38;nbsp;and related exhibitions.

Visit the project website here:&#38;nbsp;https://ohvenice.hotglue.me/Read the exhibition text HERE


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video still from performance #3: washing. With Kerem Akar, Naomi de Wit, Falkona Rexhepi, Lili Ulrich, and Syree Palm.</description>
		
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